Every invention of the actor's imagination must be preceded by long thought in detail and built on the basis of facts, so that the actor can find answers to the questions by (when, where, why and how) all the questions posed by the actor himself as he sharpens his creativity In order to create a more rejuvenating image of an illusory entity.
Stanislavsky offers his opinion of theatrical imagination that no picture of real life can be transferred to the theater, because what we use in the theater is the real picture after being transformed into the equivalent of poetic images by creative imagination.
Ahmed Khorshid al-Khayyala is defined as a new process of organizing a set of past experiences so that a cohesive series can combine to form many different relationships that compose new images that never existed before. The Leland Encyclopedia defines the imagination as a sensory or mental copy of what vision has realized with or without a new structure of the elements that make up this imagination, as well as a visual representation of the creation of the effectiveness of thought, new combinations in terms of their images, if not in terms of their imaginary elements Creative. While Jabour knows the imagination as a queen of the queens of reason. They represent things that are absent, as if they are really present to our feelings and feelings, the queen who generates the sensual perceptions of material things that are absent from consideration.
As for the imagination, the actor must imagine the things he says as if close to him, but he must see his imagination because this helps him to integrate. Maan knows the increase of imagination as a mental process generated by the images and beyond the tangible world. While Madkour definition of imagination as the formation of mental images mimic phenomena Nature, though, did not express anything real. Abdullah al-'Alayli knows that he imagines something or happened in a picture or symbol that seems to be tangible, whether it exists or not really exists, such as daydreaming. Jabour Abdel Nour defined him as a creative queen who is popular with artists, scientists, and brilliant and suspicious minds. It is the basis of discoveries and inventions from the earliest times to the present. While Magdy Wahba knew him to form mental images that mimic the phenomena of nature, and did not express anything that exists. Or Queen, which enables the mind to create symbols of abstract concepts.
The actor needs a broad imagination so that he can determine the dimensions of his personality and his movements by making the play and clarifying his vision. This is done by preparing the actor to focus and attention. Concentration of mind leads to non-distraction of thought and therefore strong recall and thus the serious use of the imagination and its specific composition in the performance.@xpilar That imagination creates things that can exist or can occur, while imagining creates things that do not exist and which have never existed, and which will never exist. Yet how does a human being know? Perhaps she was allowed to exist. The imagination when he created the flying carpet was not in the world of revolving in the immortality that it will come today in which a man can fly flying in space. Both imagination and imagination are indispensable and indispensable to the artist.